SELECTIVE LIST OF PUBLICATIONS BY KRISTER MALM

• Description and manual for the melograph "Mona". 1965. Swedish.
• A guide to the history of music. (With S. Andersson). 1968. Swedish.
• Some methods for studying chronometrical values in monophonic music. Diss. 1969. Swedish.
• Latin American Music. (With D. Malmström and S. Olofsson). 1970. Swedish.
• Parang, LP album with commentary. 1971. English.
• Latinamerikansk musik i stöpsleven (Latin Ameican Music in the Melting Pot). Nutida Musik no.1 1972/73. Swedish.
• African Music. (With S. Olofsson and G. Valkare). 1973. Swedish.
• Land du välsignade (Blessed country). Documentary on the Swedish Folk Music during the rise of industrialism. Book, LP album. 1974. Swedish.
• Ngoma - music and dance of Tanzania. Book and LP album. 1974. Swedish and English.
• Music and dance in the Karibu project. A study of the response of Swedish youth to Tanzanian music and dance. (With K.v.Blixen-Finecke). Swedish Journal of Musicology 1975:2. Swedish.
• Music of Tunisia. Book and LP album. 1975. Swedish.
• North African Music. (With S. Olofsson). 1976. Swedish.
• Music of the Lesser Antilles. Book and double LP album. 1977. Swedish and English.
• The folk music of Sweden. 1977. English, French, German.
• All children like music. In Report from the study group on children and culture, Ministry of Education and Culture, Stockholm. 1978. Swedish.
• The parang of Trinidad - a case of transformation through exploitation. In Antropologiska Studier, Ethnomusicology Issue no.25-26. 1978. English.
• Fonogrammen i Sverige under 1970-talet - några förändringar och tendenser i utbud, försäljning och mottagande. (Phonograms in Sweden in the 1970s ...). In A. Carlsson and J. Ling eds., Nordisk musik och musikvetenskap under 1970-talet. Göteborg 1980. p. 103-109. Swedish.
• Skivindustrin och den nordiska kulturpolitiken. I Lars Hamberg red., Populärkultur - positiva värderingar. Helsingfors 1980, s.16-21
• Fyra musikkulturer - tradition och förändring i Tanzania, Tunisien, Sverige och Trinidad (Four music cultures - Tradition and change in Tanzania, Tunisia, Sweden and Trinidad). Stockholm 1981. Swedish.
• Music in the neighbourhood. Report from a community music culture development project in Luleå, Sweden. 1982. Swedish.
• The interdependency of broadcasting and the phonogram industry. In D.Horn & P.Tagg ed., Popular Music Perspectives. (With R. Wallis). Gothenburg 1982. English.
• The big and the small in the music industry. Notes on structure, dynamics and strategies with special reference to the situation in small countries. Council of Europe paper CC- GP 11 (82) 13. (With R. Wallis). 1982. English.
• Music in the Caribbean. Hodder and Stoughton, London 1982. 48 p. (With John Sealy).
• Phonograms and cultural policy in Sweden. In K.Blaukopf ed., The phonogram in cultural communication. Vienna-New York 1982. English.
• I fonogrammi e la politica culturale in Svezia. In K.Blaukopf ed., Il fonogramma nella comunicazione culturale, Rome 1984, p.33-56.
• Alla barn är musikanter (All children are music makers). Final report from a research and development project on music education in nursery schools 1973-80. Stockholm 1983. Swedish.
• Sain Cymru: the role of the Welsh record industry in the development of a Welsh-language pop/rock/folk scene. In R.Middleton & D.Horn ed., Popular Music 3: Producers and markets. (With R. Wallis). Cambridge 1983. English.
• Folk music from Venezuela. Book and cassette. 1983. Swedish English.
• Big Sounds from Small Peoples. The music industry in small countries. (With R. Wallis). London 1984. English.
• Musiikin historia jota ei kirjoitettu. In Musiikin Suunta no.3, 1984, p.4-9.
• Musiken och islam. I Annika Richert, Suzanne Unge, Ulla Wagner red, Islam - religion, kultur, samhälle. Malmö 1985, p.156-164.
• The baila of Sri Lanka and the calypso of Trinidad. In Journal of Communication Research vol.12 no.3, July 1985, p.277-300. (With R. Wallis). English.
• The workings of the phonogram industry. Three analytical approaches. Musikmuseet Reports 1986:1. (With R. Wallis). English.
• Culture and the international recording industry. In Critical Studies of Mass Communication, vol.3 no.3, September 1986. (With R. Wallis). English.
• Die Musikindustrie in kleinen Ländern. In Günter Meyer & Ekehard Binas ed., Tradition in den Musikkulturen - Heute und Morgen. Leipzig 1987, p. 123ff
• National identity in a changing world of media technology. In A.Smudits ed., New Media: A challenge to Cultural Policies. Vienna 1987. (With R. Wallis). English.
• The international music industry and transnational communication. In J.Lull ed., Popular music in communication: Social and cultural perspectives. Beverly Hills 1987. (With R. Wallis). English.
• Neue Musik und Veränderungen im Musikleben Tanzanias nach Erlangung der Unabhängigkeit. In Erich Stockmann ed., Musikkulturen in Afrika. Verlag Neue Musik, Berlin 1987. German.
• What's good for business... Some changes in traditional musics generated by tourism. Paper for the ICTM colloquium on Traditional Music and Tourism, July 9-15, 1986. In A.Kaeppler ed., Come mek me hol' yu han': The impact of tourism on traditional music. Kingston, Jamaica 1988. (With R. Wallis). English.
• Push-Pull for the Video Clip: A systems approach to the relationship between the phonogram videogram industry and music television. In Popular Music vol.7 no.3, October 1988. (With R. Wallis). English.
• The Implications of Structural Change in the Music Industry for Media Policy and Music Activity. A Research Framework. In K.Roe & U.Carlsson ed., Popular Music Research, Nordicom- Sweden 1-2, 1990. (With R. Wallis). English.
• Patterns of change. In Simon Frith & Andrew Goodwin eds., On Record. Rock, pop and the written word. New York 1990. (With R. Wallis). English.
• Folkmusik och folkdans som nationella fenomen - chauvinism eller kulturarv eller...? I Rapport från seminarium 2 februari 1990, Riksföreningen för Folkmusik och Dans 1990, s.28-31.
• One Planet - One Music? In Nordisk Medienyt no.1 1991. Swedish.
• Idéer. människor, data. Komplement till utvärderingen av Folkmusik och dansåret 1990. (Ideas, people, data. Addtional notes to the evaluation of the Folk Music and Dance Year 1990.) Musikmuseet Report 1991:5. Stockholm 1991. (With Lars Farago). Swedish.
• Review of L. Lilliestam, Musikalisk ackulturation - från blues till rock. En studie kring låten Hound Dog. Diss. In Svensk Tidskrift för Musikforskning 73, 1991. p.108-111. Swedish.
• Land du välsignade. (Blessed country). In S. Gårdare, S. Olofsson & L. Roth ed., Från kritätare till samplare - en debattbok om musiken i skolan. Stockholm 1992. p.23-33. Swedish.
• The Music Industry. In H. Meyers ed., Ethnomusicology - an introduction. The New Grove handbooks in musicology. The Macmillan Press London 1992, p.349-364. English.
• Review of A. Meyer, Der traditionelle Calypso auf Trinidad. 2 vols. Diss. In The World of Music 34:1, 1992, p.115-117. English.
• Local, national and international musics. A changing scene of interaction. In M .P. Baumann ed., World Music - Musics of the World. Aspects of Documentation, Mass Media and Acculturation. Intercultural Music Studies 3. International Institute for Traditional Music, Berlin 1992, p.211-227. English.
• Karneval i Port of Spain (Carnival in Port of Spain). In L. Roth ed., Sju sjungande folk - musik i fest och rit. Musikmuseet 1992, p. 15-19. Swedish.
• Media Policy and Music Activity. Routledge, London 1992. (With R.Wallis). English.
• Musikvärlden i Sverige - Trender i tiden. (The World of Music in Sweden - Current trends.) In H. Karlsson ed., Musik och morgondag. Musikaliska Akademien, Stockholm 1993, p.123-130 Swedish.
• Music on the move. Traditions and mass media. In Journal of the Society for Ethnomusicology 37:3, 1993, p.339-352. English. (A written version of the "Charles Seeger lecture" delivered by K.Malm at the Society for Ethnomusicology meeting in Chicago 1991.)
• Review of Margot Lieth Philipp, Die Musik der Jungferninseln. Studien zu ihrer Entwicklung und zu Resultaten von Akkulturationsprozessen. Diss. In The World of Music 35:3, 1993, p.115-117. English.
• From state monopoly to commercial oligopoly. European broadcasting policies and popular music output over the airwaves. In T. Bennett ed., Rock and popular music: Policies, Politics, Institutions. Routledge 1994. (With R. Wallis). English.
• Musikbranschen (The Music Business), Nationalencyklopedien band 13. Höganäs 1994. Swedish.
• Struktur, pengar och musik i massmedierna. (Structure, money and music in the mass media.) Music in the year 2002, report no.10. Swedish Royal Academy of Music, Stockholm 1994. Swedish.
• Review of Jocelyn Guilbault, Zouk: World Music in the West Indies. In Yearbook for Traditional Music 1994, p.
• Review of Donald R. Hill, Calypso Calaloo: Early Carnival Music. Gainesville 1993. In Notes, March 1995, p. 965-67.
• Euro Music - World Music. Trans- and subculturation processes in music, formal and informal transnational networks in musics: NGOs, fan clubs, festival visistors etc., in H.Karlsson ed., Aspects on music and multiculturalism, Music in the Year 2002, Report no.15, Stockholm 1995, p. 41-49. English.
• Respekt nu - rappens rötter rotas fram (Respect Now - Roots of Rap Revealed), electronic hypermedia publication. 1996. Swedish.
• Vad är det som låter så där bakom dagens rim och ramsor? : om afro-amerikansk elektronmusik och hur skivspelaren blev ett musikinstrument, i G. Ternhag red., Genklang, Uppsala : Språk- och folkminnesinstitutet, 1996, s. 63-67
• Musik, massmedier och mångfald (Music, mass media and diversity). Documents of the Swedish Government Committee on Diversity in the Mass Media 1997:1, 1997, 203 p. Swedish.
• Copyright and the protection of intellectual property in traditional music. In Music - Media - Multiculture Report no 3. Royal Swedish Academy of Music 1998. English.
• Rap, ragga, reggae in Nairobi, Dar es Salaam and Lusaka 1997, electronic hypermedia publication. 1998. English.
• Musiker als Sklaven, in Werner Pieper ed., Verfremt - Verbannt - Verboten. Musik und Zensur - welweit. Der grüne Zweig 206, 1999, p.159-164.
• Contemporary performance contexts for folk music in Europe: Festivals, tourism, electronic media. In T. Rice ed., Encyclopedia of World Music, vol. 8. Europe. Garland 2000. (With O. Ronström). English.
• Musik, medier, mångkultur. Förändringar i svenska musiklandskap. Gidlunds 2000. With Dan Lundberg and Owe Ronström. Swedish
• Globalization - Localization - Homogenization - Diversification and other discordant trends: A challenge to music policy makers. In Andreas Gebesmair & Alfred Smudits eds., Global Repertiores: Popular music within and beyond the transnational music industry. Aldershot et al.: Ashgate 2001.
• Music in the field of tension between human rights and cultural rights. In Svanibor Pettan, Adelaide Reyes, Masa Komavec eds., Music and minorities. Proceedings of the 1st international meeting of the International Council for Traditional Music study group Music and Minorities, Ljubljana 2001.
• Music, media, multiculture. Changing musicscapes. With Dan Lundberg and Owe Ronström. 2003. Available both as web publication and printed publication.
• Review of Johannes Brusila, ’Local Music Not From Here’ – The Discourse of World Music Examined through Three Zimbabwean Case Studies: The Bhundu Boys, Virginia Mukwesha and Sunduza. In Swedish Journal of Musicology 2004, p.109-112. Swedish.
• Mångkulturella institutioner eller institutionernas mångfald. I O.Pripp red., Mångfald i kulturlivet, Stockholm 2004, p. 107-112.
• Intellectual Property Rights and Unfair Exploitation of Traditional Music and other Traditional Knowledge in Africa. In S-M.Thorsén ed., Sounds of Change - Social and Political Features of Music in Africa, SIDA Studies no.12, Stockholm 2004, p.120-134.
• A Roundtrip to the West Indies: Music and African Diaspora in the Caribbean. In E.Abriri & H.Thörn eds., Horizons - Perspectives on a Global Africa, Lund 2005, p.315-342.
• Lokalisering av globala musikgenrer: Reggae och rap i Nairobi och Dar es Salaam. I A.Björnberg et.al. red., Frispel. Festskrift till Olle Edström. Skrifter från Institutionen för musikvetenskap, Göteborgs universitet nr 80, 2005, s.220-230.
• Who's property? Who's rights? Notions of ownership of music and the international intellectual property rights conventions. In M. Harland ed., Globalisation and the future of economic, social and cultural rights. Proceedings of the First International Conference, Lisbon 24-26 November 2005, CIDESC, Lisbon 2006, p. 132-137.
• Hur skivspelaren blev ett musikinstrument. I S. Bohman, D. Lundberg, G. Ternhag red., Musikinstrumenten berättar. Instrumentforskning idag. Gidlunds 2007, s. 184-196. With Gunnar Ternhag.
• Introducing Freemuse. In Krister Malm ed. Human rights for Musicians. Copenhagen 2008, p.45ff.
• A expansão dos direitos de propriedade intelectual e a música – una area de tensão, in Samuel Araújo, Gaspar Paz, Vincenzo Gambria eds., Música em Debate – perspectivas interdisciplinares. Rio de Janeiro 2008, p. 87-98.
• Expanding intellectual property rights - An area of tensions. In Música/Musicología y Colonialismo. Centro Nacional de Documentación Musical Lauro Ayestarán, Montevideo 2011, p. 309-322.
• Kaiso, parang,chutney och steelband: Musik på Trinidad. In M.Lundahl & Å.Veghed ed., Inte bara samba och reggae - Den latinamerikanska musikkontinenten. Carlssons 2013, s. 215-243.
• What pan did for me - Rudy Smith. CD with booklet on the life of Rudy Smith. Caprice Records CAP 21829, 2015.
• Music from Turkey. Booklet with liner notes to CD 99 p., Caprice Records CAP 21878, 2019.

Also several major entries in Nationalencyklopedien (the Swedish National Encyclopedia), Sohlman's Dictionary of Music, minor conference papers, articles on music in Swedish periodicals and newspapers, committee reports, radio and TV program series.